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Poems:


SOMETHING ELSE AGAIN

By

FRANKLIN P. ADAMS


Variation on a Theme

    June 30th, 1919

    NOTABLY fond of music, I dote on a
    clearer tone
    Than ever was blared by a bugle or zoomed
    by a saxophone;
    And the sound that opens the gates for me of
    a Paradise revealed
    Is something akin to the note revered by the
    blesséd Eugene Field,
    Who sang in pellucid phrasing that I perfectly
    will recall
    Of the clink of the ice in the pitcher that the
    boy brings up the hall.
    But sweeter to me than the sparrow's song or
    the goose's autumn honks
    Is the sound of the ice in the shaker as the
    barkeeper mixes a Bronx.

    Between the dark and the daylight, when I'm
    worried about The Tower,
    Comes a pause in the day's tribulations that
    is known as the cocktail hour;
    And my soul is sad and jaded, and my heart
    is a thing forlorn,
    And I view the things I have written with a
    sickening, scathing scorn.
    Oh, it's then I fare with some other slave who
    is hired for the things he writes
    To a Den of Sin where they mingle gin--such
    as Lipton's, Mouquin's or Whyte's,
    And my spirit thrills to a music sweeter than
    Sullivan or Puccini--
    The swash of the ice in the shaker as he mixes
    a Dry martini.

    The drys will assert that metallic sound is the
    selfsame canon made
    By the ice in a shaker that holds a drink
    like orange or lemonade;
    But on the word of a traveled man and a
    bard who has been around,
    The sound of tin on ice and gin is a snappier,
    happier sound.
    And I mean to hymn, as soon as I have a
    moment of leisure time,
    The chill susurrus of cocktail ice in an adequae
    piece of rhyme.
    But I've just had an invitation to hark, at a
    beckoning bar,
    To the sound of the ice in the shaker as the
    barkeeper mixes a Star.


"Such Stuff as Dreams"

    JENNY kissed me in a dream;
       So did Elsie, Lucy, Cora,
    Bessie, Gwendolyn, Eupheme,
       Alice, Adelaide, and Dora.
    Say of honour I'm devoid,
       Say mongamy has miss'd me,
    But don't say to Dr. Freud
          Jenny kiss'd me.


The Ballad of Justifiable Homicide

    THEY brought to me his mangled corpse
      And I feared lest I should swing.
    "O tell me, tell me,--and make it brief--
      Why hast thou done this thing?

    "Had this man robbed the starving poor
      Or lived a gunman's life,
    Had he set fire to cottages,
      Or run off with thy wife?"

    "He hath not robbed the starving poor
      Or lived a gunman's life;
    He hath set fire to no cottage,
      Nor run off with my wife.

    "Ye ask me such a question that
      It now my lips unlocks:
    I learned he was the man who planned
      The second balcony box."

    The jury pondered never an hour,
      They thought not even a little,
    But handed in unanimously
      A verdict of acquittal.


The Ballad of the Murdered Merchant

    ALL stark and cold the merchant lay,
      All cold and stark lay he.
    And who hath killed the fair merchant?
      Now tell the truth to me.

    Oh, I have killed this fair merchant
      Will never again draw breath;
    Oh, I have made this fair merchant
      To come unto his death.

    Oh, why hast thou killed this fair merchant
      Whose corpse I now behold?
    And why hast caused this man to lie
      In death all stark and cold?

    Oh, I have killed this fair merchant
      Whose kith and kin make moan,
    For that he hath stolen my precious time
      When he useth the telephone.

    The telephone bell rang full and clear;
      The receiver did I seize.
    "Hello!" quoth I, and quoth a girl,
      "Hello! . . . One moment, please."

    I waited moments ane and twa,
      And moments three and four,
    And then I sought the fair merchant
      And spilled his selfish gore.

    That business man who scorneth to waste
      His moments sae rich and fine
    In calling a man to the telephone
      Shall never again waste mine!

    And every time a henchwoman
      Shall cause me a moment's loss,
    I'll forthwith fare to that office
      And stab to death her boss.

    Rise up! Rise up! thou blesséd knight!
      And off thy bended knees!
    Go forth and slay all folk who make
      Us wait "One moment, please."


A Gotham Garden of Verses

          I

    IN summer when the days are hot
    The subway is delayed a lot;
    In winter, quite the selfsame thing;
    In autumn also, and in spring.

    And does it not seem strange to you
    That transportation is askew
    In this--I pray, restrain your mirth!--
    In this, the Greatest Town on Earth?

          II

    All night long and every night
    The neighbors dance for my delight;
    I hear the people dance and sing
    Like practically anything.

    Women and men and girls and boys,
    All making curious kinds of noise
    And dancing in so weird a way,
    I never saw the like by day.

    So loud a show was never heard
    As that which yesternight occurred:
    They danced and sang, as I have said,
    As I lay wakeful in my bed.

    They shout and cry and yell and laugh
    And play upon the phonograph;
    And endlessly I count the sheep,
    Endeavouring to fall asleep.

          III

    It is very nice to think
    This town is full of meat and drink;
    That is, I'd think it very nice
    If my pappa but had the price.

          IV

    This town is so full of a number of folks,
    I'm sure there will always be matter for jokes.


Lines on Reading Frank J. Wilstach's "A Dictionary of Similies"

    AS neat as wax, as good as new,
    As true as steel, as truth is true,
    Good as a sermon, keen as hate,
    Full as a tick, and fixed as fate--

    Brief as a dream, long as the day,
    Sweet as the rosy morn in May,
    Chaste as the moon, as snow is white,
    Broad as barn doors, and new as sight--

    Useful as daylight, firm as stone,
    Wet as a fish, dry as a bone,
    Heavy as lead, light as a breeze--
    Frank Wilstach's book of similies.


The Dictaphone Bard

    [And here is a suggestion: Did you ever try dictating your stories or articles to the dictaphone for the first draft? I would be glad to have you come down and make the experiment.--From a shorthand reporter's circular letter.]

    (As "The Ballad of the Tempest" would have to issue from the dictaphone to the stenographer)

       Begin each line with a capital. Indent alternate lines. Double space after each fourth line.

    WE were crowded in the cabin comma
    Not a soul would dare to sleep dash comma
    It was midnight on the waters comma
    And a storm was on the deep period

    Apostrophe Tis a fearful thing in capital Winter
    To be shattered by the blast comma
    And to hear the rattling trumpet
    Thunder colon quote capital Cut away the mast exclamation point close quote

    So we shuddered there in silence comma dash
    For the stoutest held his breath comma
    While the hungry sea was roaring comma
    And the breakers talked with capital Death period

    As thus we sat in darkness comma
    Each one busy with his prayers comma
    Quote We are lost exclamation point close quote the captain shouted comma
    As he staggered down the stairs period

    But his little daughter whispered comma
    As she took his icy hand colon
    Quote Isn't capital God upon the ocean comma
    Just the same as on the land interrogation point close quote

    Then we kissed the little maiden comma
    And we spake in better cheer comma
    And we anchored safe in harbor
    When the morn was shinng clear period


The Comfort of Obscurity

    INSPIRED BY READING MR. KIPLING'S POEMS AS
             PRINTED IN THE NEW YORK PAPERS

    THOUGH earnest and industrious,
    I still am unillustrious;
       No papers empty purses
       Printing verses
             Such as mine.

    No lack of fame is chronicker
    Than that about my monicker;
       My verse is never cabled
       At a fabled
             Rate per line.

    Still though the Halls
    Of Literature are closed
    To me a bard obscure I
    Have a consolation The
    Copyreaders crude and rough
    Can't monkey with my
    Humble stuff and change MY
    Punctuation.


Ballade of the Traffickers

    UP goes the price of our bread--
    Up goes the cost of our caking!
    People must ever be fed;
    Bakers must ever be baking.
    So, though our nerves may be quaking,
    Dumbly, in arrant despair,
    Pay we the crowd that is taking
    All that the traffic will bear.

    Costly to sleep in a bed!
    Costlier yet to be waking!
    Costly for one who is wed!
    Ruinous for one who is raking!
    Tradespeople, ducking and draking,
    Charge you as much as they dare,
    Asking, without any faking,
    All that the traffic will bear.

    Roof that goes over our head,
    Thirst so expensive for slaking,
    Paper, apparel, and lead--
    Why are their prices at breaking?
    Yet, though our purses be aching,
    Little the traffickers care;
    Getting, for chopping and steaking,
    All that the traffic will bear.

    L'ENVOI

    Take thou my verses, I pray, King,
    Letting my guerdon* be fair.          [reward]
    Even a bard must be making
    All that the traffic will bear.


To W. Hohenzollern, on Discontinuing The Conning Tower

    WILLIAM, it was, I think, three years ago--
       As I recall, one cool October morning--
    (You have The Tribune files; I think they'll show
             I gave you warning).

    I said, in well-selected words and terse,
       In phrases balanced, yet replete with power,
    That I should cease to pen the prose and verse
             Known as The Tower
    That I should stop this Labyrinth of Light--
       Though stopping make the planet leaden-hearted--
    Unless you stop the well-known Schrecklichkeit
             Your nation started.

    I printed it in type that you could read;
       My paragraphs were thewed, my rhymes were sinewed.
    You paid, I judge from what ensued, no heed . . .
             The war continued.

    And though my lines with fortitude were fraught,
       Although my words were strong, and stripped of stuffing,
    You, William, thought--oh, yes, you did--you thought
             That I was bluffing.

    You thought that I would fail to see it through!
       You thought that, at the crux of things, I'd cower!
    How little, how imperfectly you knew
             The Conning Tower!

    You'll miss the column at the break of day.
       I have no fear that I shall be forgotten.
    You'll miss the daily privilege to say:
             "That stuff is rotten!"

    Or else--as sometimes has occured--when I
       Have chanced upon a lucky line to blunder,
    You'll miss the precious privilege to cry:
             "That bird's a wonder!"

    Well, William, when your people cease to strafe,
       When you have put an end to all this war stuff,
    When all the world is reasonably safe,
             I'll write some more stuff.

    And when you miss the quip and wanton wile,
       And learn you can't endure the Towerless season,
    O William, I shall not be petty . . . I'll
             Listen to reason.


To W. Hohenzollern, on Resuming The Conning Tower

    WELL William, since I wrote you long ago--
       As I recall, one cool October morning--
    (I have The Tribune files. They clearly show
             I gave you warning).

    Since when I penned that consequential ode,
       The world has seen a vast amount of slaughter,
    And under many a Gallic bridge has flowed
             A lot of water.

    I said when your people ceased to strafe,
       That when you'd put an end to all this war stuff,
    And all the world was reasonably safe
             I'd write some more stuff.

    That when you missed the quip and wanton wile
       And learned you couldn't bear a Towerless season,
    I quote, "O, I shall not be petty. . . . I'll
             Listen to reason."

    Labuntur anni*, not to say Eheu          [alas, the fleeting years go on]
       Fugaces! William, by my shoulders glistening!
    I have the final laugh, for it was you
             Who did the listening.

    January 13, 1919


Thoughts on the Cosmos

          I

    I DO not hold with him who thinks
    The world is jonahed by a jinx;
    That everything is sad and sour,
    And life a withered hothouse flower.

          II

    I hate the Polyanna pest
    Who says that All Is for the Best,
    And hold in high, unhidden scorn
    Who sees the Rose, nor feels the Thorn.

          III

    I do not like extremists who
    Are like the pair in (I) and (II);
    But how I hate the wabbly gink,
    Like me, who knows not what to think!


On Environment

    I USED to think that this enviro-
      Ment talk was all a lot of guff;
    Place mattered not with Keats and Byron
             Stuff.

    If I have thoughts that need disclosing,
      Bright be the day or hung with gloom,
    I'll write in Heaven or the composing-
             Room.

    Times are when with my nerves a-tingle,
      Joyous and bright the songs I sing;
    Though, gay, I can't dope out a single
             Thing.

    And yet, by way of illustration,
      The gods my graying head annoint . . .
    I wrote this piece at Inspiration
             point.


The Ballad of the Thoughtless Waiter

    I SAW him lying cold and dead
    Who yesterday was whole.
    "Why," I inquired, "hath he expired?
    And why hath fled his soul?

    "but yesterday," his comrade said,
    "All health was his, and strength;
    And this is why he came to die--
    If I may speak at length.

    "But yesternight at dinnertime
    At a not unknown café,
    He had a frugal meal as you
    Might purchase any day.

    "The check for his so simple fare
    Was only eighty cents,
    And a dollar bill with a right good will
    Came from his opulence.

    "The waiter brought him twenty cents.
    'Twas only yesternight
    That he softly said who now is dead
    'Oh, keep it. 'Ats a' right.'

    "And the waiter plainly uttered 'Thanks,'
    With no hint of scorn or pride;
    And my comrade's heart gave a sudden start
    And my comrade up and died."

    Now waiters overthwart this land,
    In tearooms and in dives,
    Mute be your lips whatever the tips,
    And save your customers' lives.


Rus. Vs. Urbs

    WHENEVER the penner of this pome
    Regards a lovely country home,
    He sighs, in words not insincere,
    "I think I'd like to live out here."

    And when the builder of this ditty
    Returns to this pulsating city,
    The perpetrator of this pome
    Yearns for a lovely country home.


"I'm Out of the Army Now"

    WHEN first I doffed my olive drab,
    I thought, delightfully though mutely,
    "Henceforth I shall have pleasure ab-
             Solutely."

    Dull with the drudgery of war,
    Sick of the name of fighting,
    I yearned, I thought, for something more
             Exciting.

    The rainbow be my guide, quoth I;
    My suit shall be a brave and proud one
    Gay-hued my socks; and oh, my tie
             A loud one.

    For me the theater and the dance;
    Primrose the path I would be wending;
    For me the roses of romance
             Unending.

    Those were my inner thoughts that day
    (And those of many another million)
    When once again I should be a
             Civilian.

    I would not miss the o.d.;
    (Monotony I didn't much like)
    I would not miss the reveille,
             And such the like.

    I don't . . . And do I now enjoy
    My walks along the primrose way so?
    Is civil life the life? Oh, boy,
             I'll say so.


"Oh Man!"

    MAN hath harnessed the lightning;
    Man hath soared to the skies;
    Mountain and hill are clay to his will;
    Skillful he is, and wise.
    Sea to sea hath he wedded,
    Canceled the chasm of space,
    Given defeat to cold and heat;
    Splendour is his, and grace.

    His are the topless turrets;
    His are the plumbless pits;
    Earth is slave to his architrave,
    Heaven is thrall to his wits.
    And so in the golden future,
    He who hath dulled the storm
    (As said above) may make a glove
    That'll keep my fingers warm.


On to the next poem.


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